Paris 'Acid Reflex' album

Just in time for election year, Paris returns to the now-seemingly apolitical world of hip-hop to once again inject his patented form of sonic vitriol into the musical landscape with his latest release, Acid Reflex. With commentary on a wide range of topics including black-on-black crime and violence, the ongoing problem of police brutality, illegal and immoral wars, the crooked arena of politics and the need for more of an equal balance between positive and negative influences in entertainment, Acid Reflex is the latest installment of cutting-edge funk-and-rockinspired hip-hop in a career spanning the sale of over 3.8 million units independently worldwide.

The lead single, "Don't Stop the Movement," provides a scathing reintroduction to Paris' polemics, and serves as a stark reminder of the type of potent politically and socially aware commentary in hip-hop that has become less and less frequent as the art form becomes increasingly corporatized and diluted for mass consumption. Featuring performances by Rock and Roll Hall of Fame Inductee and Parliament/Funkadelic frontman George "Dr. Funkenstein" Clinton, Public Enemy leader Chuck D. and newcomer and Paris-protege T-K.A.S.H., Acid Reflex is a acerbic criticism of modern day American life, and acts as a rallying cry for the need for social justice, unity and awareness.

From the sad state of Darfur and Congo, to America's legacy of Aggression, to Katrina and religious fanaticism, it's all here. And the timing is perfect too - in an era where politics has become popular culture and the United States is poised to possibly elect its first black president - only a handful of artists with an international platform will choose to seize the moment. Paris does.

Continuing in the tradition of artists who can be relied upon to remain consistent with both content and dedication to musical quality, this latest effort by Paris will please not only his existing loyal supporters, but should prove to gain him many new listeners as well.

biography
1990 with his hit single and album The Devil Made Me Do It, after earning a degree in economics from the University of California at Davis. Originally released on Tommy Boy Records, his first single from that album, "Break The Grip of Shame," was banned by MTV. Since then his uncompromising stance on political issues and biting social commentary have both aided and hindered his quest to bring solid music and messages to the masses. When his second album, Sleeping With The Enemy was ready for release in 1992, Paris was dropped from now-defunct Tommy Boy Records and distributor Time Warner when they discovered its incendiary content - content which included fantasy revenge killings of then-President Bush and racist police officers. Rather than buckle under pressure, he released the LP himself on his newly-formed Scarface Records to major sales and national acclaim.

Paris signed a major artist and distribution deal with Priority Records for himself and Scarface Records in 1993 and released his third LP, Guerrilla Funk, and several then up-and-coming groups, most notably the Conscious Daughters. Paris and Priority formally severed their business relationship due to creative differences in 1995, and in 1997, Paris signed a one-off deal with nowdefunct Whirling Records (distributed by Rykodisc), for the release of his 4th LP, Unleashed. Released in limited numbers, the LP went largely unnoticed due to lack of focus and funding.

In 2003, Paris returned with a vengeance, injecting a much needed dose of reality and consciousness into an industry which now seems to only reflect corporate hip-hop sensibilities. Sonic Jihad was released to strong sales and critical acclaim, and his anti-war anthem "What Would you Do?" from that album questions the official account of 9/11, and has been embraced by activists and music lovers worldwide for its condemnation of the Bush administration's actions in response to and surrounding the events of that day. It debuted on Paris' newly-formed Guerrilla Funk Recordings, a musical organization that counters the corporate stranglehold of censorship plaguing the entertainment industry, providing a home for projects and material of such notable acts as PublicEnemy, Kam, dead prez and The Conscious Daughters, among others. He also released deluxe remixed and remastered editions of his first three albums in '03.

Paris has never been one to shy away from controversy. In 2006, his Guerrilla Funk imprint released three projects, the first being Rebirth of a Nation, the long-awaited Paris-written and produced collaboration with Public Enemy. Receiving robust sales and lauded by critics, the album features dead prez, Kam, MC Ren, The Conscious Daughters and Immortal Technique.

He also released Paris Presents: Hard Truth Soldiers, Vol. 1, the first in a Paris-produced compilation series that is a collection of material that goes against the grain of commercial hip-pop by providing content of substance, touching on subjects ranging from war and police brutality to black on black crime and domestic violence. It showcases contributions from PublicEnemy, The Coup, dead prez, Paris, T-K.A.S.H., Kam, The Conscious Daughters, Mystic, MC Ren, Sun Rise Above, and The S.T.O.P. Movement (Mobb Deep, Tray Deee, Soopafly, KRS-One, Defari, Daz, JRo, RBX, Bad Azz, WC, Dilated Peoples, Mac Minister, The Alchemist, Mack 10, Evidence, Defari, Everlast, and B-Real), among others.

Also in 2006, Paris introduced the world to former Coup-member T-K.A.S.H. and his stellar debut offering, Turf War Syndrome.

In 2007, Paris released the follow up companion piece to Rebirth of a Nation, the Public Enemy collaboration Remix of a Nation, and began laying the framework for the film division of Guerrilla Funk Recordings.

Paris inked a distribution deal with Fontana/Universal for Guerrilla Funk (with movies through Vivendi) in 2008, and is currently slated to release his newest album, Acid Reflex, on September 9, featuring Chuck D. and George Clinton. With new music and film projects forthcoming, Guerrilla Funk is set to balance out an industry seemingly hell-bent on exploitation.

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Paris - Acid Reflex