Midnight To Twelve 'self-titled' album

Al Baca, of the Southern California band Midnight to Twelve (M212), has no patience for the cult of celebrity worship. “All those magazines and shows that talk about how movie stars and musicians are so special – that stuff pisses me off,” he says. “It’s the fans who gave them their careers. Without the audience, those people are nothing.” This particular belief inspired “King of Spain,” the title track from the band’s hard-charging debut album on JKH / Koch Records. Like most of the quintet’s material, “King” blends explosive riffage with a big, melodic chorus. But the track’s lyrics underscore M212’s devotion to its fans, declaring: “I need you more than you need me.”

The album, produced by Sylvia Massy Shivy (Tool, Deftones, Tom Petty, Johnny Cash) and Rich Veltrop, amply demonstrates the band’s sonic palette with fiery rockers (“How Bad,” “Burnin’,” “King of Spain,” “Contain It”), soaring, pop-savvy melodies (“Remembering,” “Slam,” “Moment”) and everything in between (“Rhyme or Reason,” “Future”). Singer Jon Hartman’s versatile voice swings effortlessly from fury to tenderness, while guitarist Daniel Jordan’s brutal riffs and incisive leads and keyboardist Steve Oliver’s symphonic countermelodies put both edge and grandeur atop the grooving foundation of bassist Baca and drummer Drew Molleur.

The band sold some 13,000 copies out of its tour bus. These sales figures are a testament to M212’s powerful live show – as both a solo touring act and as opener for such bands as Lynyrd Skynyrd, Buckcherry, Jimmy Eat World, Evanescence, Joan Jett, Adema, Sister Hazel, Rehab and Saliva. But it also speaks to their relentless determination to reach out to fans and maintain that connection vigilantly.

Influenced as a youngster by his sister’s Journey records, his brother’s obsession with hard rock like The Scorpions, Def Leppard and AC/DC, and his parents’ R&B collection, L.A. native Baca inherited an eclectic sensibility that was supercharged by visits to the Sunset Strip during his adolescence in the late ’80s and early ’90s. “At 14 I’d sneak into the Roxy, the Whisky and Gazzarri’s,” he recalls. “I feel fortunate to have experienced all that, and I know that scene influenced our approach to performance.”

Midnight to Twelve was born when he was working as a session bassist and stage and production manager in Nashville. “I started hearing this music in my head,” he explains, “and I knew my next band was going to be the band. I had no songs, no band name – nothing. But I knew I had to go home to L.A. and make it happen.”

He enlisted Nashville-based friend Hartman and convinced him to move to the West Coast. “Jon had never been in a band before, but I knew he could sing,” Baca recalls. “I said, if you really want to do this, be in L.A. by this time. He got there about a week before I did, so I knew he was serious. We started putting it together.”

They joined forces with keyboardist Oliver and, according to Baca, “It was magic.” Rather than round out the lineup right away, they decided to hole up in their practice space – a garage in the L.A. neighborhood of Whittier – and write songs for an entire year.

They found Jordan through an ad in local paper The Recycler; the guitarist’s rock chops were a solid fit, and his playful sense of humor would make a major contribution to M212’s esprit de corps. With Molleur on the drum throne a bit later, the lineup was complete.

The band immediately booked its first show – at the Sunset Strip’s infamous Coconut Teaszer. “We packed the place with friends and family and we killed it,” Baca remembers fondly. Fired up by their rowdy live debut, M212 soon began playing at venues all over L.A. Eventually they were headlining Saturday nights and selling out storied clubs like the Roxy, where, as a kid, Baca had gotten his first glimpse of full-on live rock.

A three-song demo caught the attention of a writer for the hit WB series One Tree Hill, and the band’s passionate tune “Slam” featured prominently in one episode. Always thinking strategically, M212 made it known on a One Tree Hill message board that they would give away CD singles to anyone who signed up for their e-mail list; a barrage of Hill fans obliged. “I was up all night collecting addresses, and sent out 600 singles the next day – I spent a whole paycheck on postage,” Baca shares with a laugh.

Deciding it was time to hit the road and exploit their newfound visibility, the band put together a presentation for some investors, outlining expected marketing tactics; this garnered them a few thousand bucks.

They leveraged their song’s appearance on One Tree Hill to book a four-month tour with club owners, with Baca working the phone in the guise of a fast-talking booking agent. Baca and Oliver then drove out to the desert to buy an old bus, stripping it down and retrofitting it for the road with the other members. The last screws were barely in place before they embarked on their new adventure. With his beloved Journey blasting on the stereo for encouragement, Baca looked around at his bandmates, his bus and the family and friends who came to give them a grand send-off, and knew his dream was coming true at last.

It was no cakewalk, however – the band members had quit jobs, sold cars and said goodbye to family with no promise of income. Paying for repairs when the bus broke down, which was often, ate up most of what they made. But at every stop they made new fans. “Our motto is, whether the audience is five people or 5,000,” they get the same show,” Baca declares.

Midnight to Twelve toured as often as they could, cultivating rabid pockets of fans in various markets. In Craig, Colo., for example, they hit 1 on a local rock radio station (beating out superstars like Kid Rock and Sheryl Crow) and were treated like conquering heroes. Soon the larger cities opened up to the band’s thundering assault as well.

During a stop in Santa Barbara, Calif., they met reps from Kord Records; their subsequent deal with the fledgling indie label originally included working with a big-shot Hollywood producer. But the band decided instead on Massy Shivy, whose resume spoke for itself and with whom Baca had worked on a friend’s project.

“We had instant chemistry,” the bassist explains. “We went up to her studio in Weed, California, which is right near the Oregon border, and played her a whole set live. She took notes, we wanted to record the same songs, and the process was just incredibly smooth.” Massy Shivy asked the band if they could write a new song in one day, and they returned 24 hours later with “Burnin’,” which was quickly added to the list of songs for the album.

Massy Shivy coaxed incendiary performances from the band, adding an array of sparkling sonic touches. The resulting recordings showcase M212’s bruising rock onslaught, supple dynamics and songwriting smarts in equal measure.

With "Midnight To Twelve" hitting store shelves under their new label JKH /KOCH Records and the band opening for a suite of superstar acts, M212 is right where they want to be. “When we’re onstage we look like the biggest rock stars in the world,” Baca insists, “but when we’re hanging out after the show we’re the most down-to-earth people in the world. Many of our fans have become our friends, and that’s how we want it to be. Because without them we’re nothing.”

who is who
Jon Hartman-Vocals
Al Baca-Bass
Steve Oliver-Keyboards
Daniel Jordan-Guitar
Drew Molleur-Drums

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Midnight To Twelve - self-titled