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Automatic Imperfection could have been conceived in a train which runs on an imaginary route through Madrid-Tokyo-Palermo. During these journeys, Marlango have taken pictures of the landscapes they’ve witnessed, the cities they’ve visited, and of the people and situations they’ve been faced with. Up to a certain extent, this has been the creative process of Marlangos second album. Automatic Imperfection is, therefore, the result of a long year plagued with journeys and concerts in which Leonor Watling, Alejandro Pelayo and Oscar Ybarra have been reinventing their music and been inspired by locations, faces and situations which have influenced these twelve songs.
But, Automatic Imperfection is above all a declaration of principles. The title suggests an idea which is present in all aspects of life –beginning with nature- and which makes everything work, even if it’s through an imperfect way. Something good is always bound to appear from mixing the “automatic” and the “imperfect”. The work on a machine, automatic and perfect, confronted with a musician, human and imperfect through definition, is the beginning point for the album. Inside it, through its lyrics, Marlango accepts the world as it is, with its imperfections, but without resignations nor dramas. They contemplate with affection those small disasters of life which, in turn, make it all so much more beautiful. Meanwhile, on the musical side, Automatic Imperfection, is a natural continuation of their previous album. If their debut album was an honest and somewhat shy little boy, this new work is the older brother. Automatic Imperfection would be an adolescent discovering the world in which he lives and trying to make himself heard, at times with an uncontrollable energy, but always with an undeniable authenticity.
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