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Joey DeFrancesco, Joey DeFrancesco Live Authorized Bootleg

Details

Title: Live The Authorized Bootleg
Release date: 6 March, 2007
Record label: Concord Jazz
Single:
Official website: Joey DeFrancesco
Wikipedia: Joey DeFrancesco

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  • Tracklisting

    1. Introduction-Joey
    2. Cherokee
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    Joey DeFrancesco - Live The Authorized Bootleg

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    The latest offering by the man widely acknowledged as the successor to Jimmy Smith as King of the Hammond B-3 captures all the excitement and pure smokin’ energy of a Joey D live performance. Supported by his superb rhythm section, and featuring the legendary tenor sax of George Coleman (B.B. King, Max roach, Herbie Hancock, Miles Davis), this “authorized bootleg” – Joey’s eighth album on Concord Jazz – was recorded at the fabled Yoshi’s in Oakland and shows in no uncertain terms why Joey DeFrancesco is today’s #1 B-3 burner.

    Biography
    Organist Joey DeFrancesco has come a long way from All of Me, his recording debut as a leader made in 1989 as a fresh-faced 17-year-old. From the get-go, the Philadelphia native established his credentials with virtuoso technique and an innate soulfulness that he brought to bear on the hulking Hammond B-3 organ which belied his young age but spoke of his deep Philly roots under the tutelage of his father, Papa John DeFrancesco, a B-3 burner in his own right. Through the 1990s, Joey was widely recognized as spearheading a renewed interested in the Hammond organ, an instrument that had fallen out of favor among musicians and the public since its golden period during the 1960s and early 70s.

    Joey dazzling facility was once described as by guitar great Pat Martino, himself a veteran of many classic B-3 sessions. Combining monstrous chops with a flair for showmanship and an unquenchable urge to burn, DeFrancesco almost single-handedly put the Beast back in the public eye. As the late critic Leonard Feather wrote in the liner notes to his 1994 recording, All About My Girl: No less significant in the story of Joey’s ascendancy is the ability he has shown to create excitement. The tension he is capable of building brings back to mind a tradition that began some 50 years ago, when Norman Granz’ Jazz at the Philharmonic concerts began stirring up audiences around the country. Listen to a ˜Donna Lee” and other cuts on this CD and you can hardly fail to be moved by the emotion Joey and his colleagues generate.

    Today DeFrancesco is regarded by organ aficionados as the baddest B-3 burner in the business (a claim supported by his four consecutive DownBeat Critics Poll awards for 2002, 2003, 2004, 2005, and 2006). And while Joey has never made any boastful claims about his own ranking among the organ elite on the contrary, he has always respectfully deferred to his B-3 elders, the fact is, no organist today plays with the skill, depth, and authority of this phenomenon from Philly, who has now become a respected B-3 elder himself at the ripe old age of 35.

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