Jaga 'What We Must' Album' album

Ever since their beginnings Jaga have been a band who have searched for something different....

- without any interest in the latest trends, with no concern for who is on the cover of which magazine, this ten piece collective from Norway have focused their efforts on evolving a unique sound which can collectively express their musical ideas. It's a quest that's been going on for a decade now. One which may be about the reach fruition.

Jaga Jazzist's first album ("Jævla Jazzist Grete Stitz") was released in 1994, when the groups's youngest members were still only fourteen. It was, they have said, "an album about trying without fear of failing" and as such has served as a manifesto for much of what has followed since. It's in the nature of such a large collective, that development takes time, and although their second album, "Magazine" (1998), was critically-acclaimed on home turf, it wasn't until 2001's "A Livingroom Hush" that the ideas they had hinted at in previous work really began to blossom. Word of Jaga began to spread across Europe, tours followed, and tracks like "Animal Chin" and "Lithuania" soon became classic live moments. Seven years of playing together resulted in blistering performances, likened to witnessing a controlled explosion, the musicians constantly threatening to lose control of the music but only using this apparent chaos to take things ever higher. No fear of falling here.

In keeping with the band's sonic adventurism, "The Stix" saw Jaga embrace more fully the electronic elements which they dabbled with on "A Livingroom Hush", This was Jaga Jazzist`s take on electronic music, an album characterized by harsh, intricate rhythm, drummer Martin Horntveth often battling it out with drum boxes and pre-programmed beats. The results has everyone from Observer Music Monthly to the Mars Volta buzzing.

After heavily touring, the time came for the next chapter in the Jaga Jazzist history, "What We Must". After months spent on writing new material, the band ripped it all up, went into an isolated studio out in the Norwegian woods and recorded the demo now known as the Spydeberg Session. Put down in one take in one day, it was a breakthrough moment for the group. A sound that was closer to their live sound than ever before. The band began to whisper about their rock album. But note that "their". This was a kaleidoscopic take on rock stylings, rolling from early 90s British shoegazer guitar pop to 70s prog rock, all shot through with Jaga's own unique logic.

After testing the new material on the road, they returned to the studio and used the Spydeberg Session as the basis of the record which became "What We Must," perhaps the most radical development so far in their career. As a tribute to the developments they had undergone over the previous ten years, Jaga Jazzist became Jaga. At heart of this collective is a restless soul, going in many directions at the same time, but always going forward. Fast. The band always pushing their boundaries, both personal and musical. That is why they are impossible to categorize. And that's why they're special. Jaga is something natural and beautiful. A necessity. For both them and us.

They do what they must. It goes without saying that they do it without fear.

Biography
Jaga Jazzist has become something of a musical phenomenon in Norway since they started 9 years ago. Not only is this 10 piece instrumental band regarded as one of the most exciting and innovative in Norway, the members are all involved in other musical projects and have in one way or another contributed to almost every significant recording to come out of that part of the world in the last few years. It has been this strong involvement with different projects, and different musical styles and sounds which is the key to the unique sound of Jaga Jazzist. With no boundaries and an arsenal that includes trumpets, trombone, electric guitar, bass, tuba, two bass clarinets, Fender Rhodes, vibraphone and a rack of electronics, Jaga Jazzist create timeless music. Melodic, hypnotizing, delicate and subtle.

Jaga Jazzist started out in Tonsberg (a small town outside Oslo) in 1994 at which time Lars Horntveth (the main songwriter in Jaga) was only 14 years old! In 2001 they released their debut album “A Livingroom Hush” on Warner in Scandinavia to massive critical acclaim and great sales (the album sold over 15000 copies in Norway alone..). The band then signed a deal for the rest of the world through Oslo`s Smalltown Supersound. Throughout 2002 the band shocked fans and critics alike with their blistering live shows and the buzz resulted in sold out dates all over Europe and the band soon came to the attention of Ninja Tune who did a license/collaboration deal with Smalltown Supersound.

The Stix:
At the same time as their debut album gained more and more international success, Jaga recorded the follow up titled “The Stix”. As with their first album this was produced by Norwegian superproducer Jørgen Træen the man behind Duper Studios in Bergen (home of Røyksopp, Kings of Convenience, Sondre Lerche et.al.) but this time Jaga wanted to push their musical limits even further and really create a sound they could genuinely call “Jaga Jazzist “. The proof of their efforts is in the record “The Stix”, the perfect balance between (hu)man and machine it never looses the organic nature of a live 10 piece. Genuinely original music.

The influences:

Many comparisons have been made about Jaga Jazzist and their music; from Talk Talk, Soft Machine, Eric Satie, John Coltrane and Don Cherry to acts like Aphex Twin, Stereolab, Squarepusher, Isotope 217 and Tortoise. One thing is for sure; Jaga Jazzist`s sound draws influences from the whole. The band themselves cite Jon Balke, Tortoise, Motorpsycho, Cornelius, Sonic Youth, My Bloody Valentine, Miles Davis, Radiohead and Björk as important influences.

The artwork:

The artwork for The Stix is made by Norway`s premier designer Kim Hiorthøy. Hiorthøy is a close friend of the band and is one of their biggest fans, something which has resulted in a great collaboration/relationship. Hiorthøy has with his designs for Jaga Jazzist (for both the Ninja re-release of A Livingroom Hush and The Stix) managed to capture the bands diverse and timeless expression in a precise and sensitive way.

The band:
Mathias Eick – trumpet, upright bass, keyboards + vibraphone
Harald Frøland – guitars + effects
Even Ormestad – bass + keyboards
Andreas Mjøs – vibraphone, drums, percussion + electronics
Line Horntveth – tuba, melodica + percussion
Martin Horntveth – drums + drum-machines
Lars Horntveth – tenor sax, bass-clarinet + electric guitar
Andreas Schei – Keyboards
Ketil Einarsen– flute, bass-clarinet, percussion + keyboards
Lars Wabø - Trombone

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Jaga - What We Must' Album