Title: No Roots
Release date: 7 June, 2004
Record label: Cheeky
Single: Mass Destruction
Official website: Faithless
Wikipedia: Faithless
1. Intro
2. Mass Destruction
3. I Want More (Part 1)
4. I Want More (Part 2)
5. Love Lives On The Street
6. Bluegrass
7. Sweep
8. Miss U Less, See U More
9. No Roots
10. Swingers
11. Pastoral
12. Everything Will Be Alright Tomorrow
13. What About Love
14. In The End
15. Mass Destruction (P-Nut & Sister Bliss Mix)
Home » f » Faithless » Album» No Roots
Britain's premiere dance outfit are back. This is their masterpiece.
Faithless have always been a hard act to pin down. The critically acclaimed, award winning, internationally popular, multi-million selling collective specialise in genre-busting music aimed at the head, heart and feet, encompassing a range of sounds and styles that simply defies easy categorisation.
They have balanced four-to-the-floor classic house hits (Insomnia, Salva Mea, God Is A DJ, We Come One) with poetic works of lyrical genius (Bring My Family Back, Muhammad Ali), and heart-rending gospel anthems (Don't Leave). Their albums have embraced soulful spirituality ('Reverence' 1995) introspective melancholy ('Sunday 8pm' 1998) and uplifting, emotional atmospherics ('Outrospective' 2001).
Their ever-changing line up has spawned such fabulous offshoots as Britain's ice queen of pop, Dido, and global video-mix mavericks 1 Giant Leap, as well as a whole strata of underground talent (Skinny, P*nut, Slovo).
But if you think, after eight years, a dozen hit singles, three original albums, three remix albums and literally thousands of live shows, you have started to get them worked out, it is time to think again. 'No Roots', the fourth album from Faithless, marks a bold new departure: a melodious, free-flowing, seamlessly interlocking electronic soundscape that forms the backdrop to a lyrically uncompromising picture of the state of the human race. Preceded by the highly-charged, politically controversial single 'Mass Destruction', this is, unequivocally, their finest hour.
'No Roots' could be described as a twin-concept album, operating on separate (but complimentary) musical and lyrical levels. To make sense of this, it helps to understand the band's unique line-up.
While Faithless' open-door policy has encompassed (and encouraged) a lot of remarkable musical contributions, there are three core members: Maxi Jazz, Sister Bliss and Rollo Armstrong.
Maxi is the live frontman, a rapping Buddhist with an astonishingly eloquent, poetic style all his own. His deeply held philosophical convictions lend Faithless an intellectual profundity rarely found in the dance arena.
Bliss is the band's musical engine, a classically trained pianist with a passion for electronic dance music, renowned as the world's leading female DJ. She recently composed the incidental music for ITV's hit series, 'Life Begins' (with the title track of the new Faithless album doubling as the show's theme tune).
Rollo is the band's instigator and producer, a cheerfully eccentric figure who confesses he can neither play a musical instrument nor dance in time (hence he chooses not to join Faithless when they play live). Head of the Cheeky record label, Rollo has made multi-million selling dance singles in his own right, co-written and co-produced both his younger sister Dido's world beating albums and contributed remixes for a variety of stellar talent including U2, Bjork and The Pet Shop Boys. He has what might best be described as an intuitive musical intelligence, taking Sister Bliss's musical sketches and turning them into structurally coherent songs. "It is a meritocracy in which we have very assigned roles," explains Rollo. "We spend some time together, but mostly we are left to our own devices."
"We set out to do something entirely different from the other albums," explains Sister Bliss of the genesis of 'No Roots'. The challenge being to get away from the almost wilful eclecticism that characterised Faithless to create a single continuous piece of music that operated as a musical whole. The initial recording was done at Dave Stewart's famous Church studio in North London. While Rollo was producing Dido's 'Life For Rent' in the main studio, Bliss was ensconced in a cramped room full of equipment, where she composed thirty separate pieces of music, all in the key of C. "To be creative within restrictions gives you a wall to push against, so sometimes you can go further within narrow parameters. But it was fucking hard. I kept worrying that it would get boring but it's actually amazing how we've managed to create so many different tunes with remarkably different atmospheres."
By keeping everything in one key, all the musical segments became interchangeable, giving Rollo maximum freedom as he pieced them together, adding sounds and effects. It was only when Rollo and Bliss had completed their instrumental opus (which will eventually be released in its own right) that Maxi was summoned and a lyrical perspective agreed upon. "The theme we chose was love, in the macro and the micro sense," says Bliss. "We felt this was a platform to say something about what the fuck is going on today. And Maxi was the right person to do it, without tub thumping or preaching, but looking at human nature and the pickle that we're in. This is not a wishy washy album about love. It involves questions about how we live, and leadership, and how we're involved in each others lives. We thought this album was definitely a chance to make a stand and be counted."
Maxi asserts his place as the UK's most powerful and polemical lyricist with the astonishing opening single, 'Mass Destruction':
Whether long range weapon or suicide bomb
A wicked mind is a weapon of mass destruction
Whether you're soar away Sun or BBC One
Misinformation is a weapon of mass destruction
You could be Caucasian or poor Asian
Racism is a weapon of mass destruction
Whether inflation or globalisation
Fear is a weapon of mass destruction
Whether Halliburton, Enron or anyone
Greed is a weapon of mass destruction
We need to find courage, overcome
Inaction is a weapon of mass destruction
"Everybody knows the situation in the world is bad and getting worse," according to Maxi, before launching into an involved exposition of the emotional problems that underpin political and social ones. "A big part of the problem is that sex and violence seems to be what turns most people on, and until that changes we are going to have violent politicians who are reflecting our own fear and mistrust of everybody else in the world. What I always try to do is attack people's hearts, cos your heart is your most powerful organ, but this is definitely a hearts and minds album. I want people to stop, look, see, think."
Maxi is not the sole lyricist on the new Faithless opus. The trio invited cult Sony recording artist, the multi-talented LSK, to join them for the project, and his elegantly composed, beautifully sung contributions match Maxi for emotional eloquence, particularly on the achingly philosophical 'I Want More'. "I think LSK's contribution is key," says Bliss. "Before this, the other singers have contrasted rather than complimented Maxi. LSK gives Maxi something to reflect off, it puts him in a new context. And he fitted right in. He's a music-head, he plays, he records, he raps, he sings, he's just ridiculously talented. Its embarrassing to be around really."
One more element had to fall into place to complete this tour de force: the angelic tones of a woman who has featured on every Faithless album. That she happens to have become the world's biggest selling female singer-songwriter in the interim is quite beside the point. "We made the album, sat with it, pulled it apart, redid it and there was one thing that was obviously missing: a female voice," says Bliss. "Luckily Dido loved it and came up with something. It's very short, it's a cameo role. But it was actually because the music needed it rather than a cynical attempt to use Rollo's sister to sell a few more fucking million records!"
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"She loves it as much as we do," reports Rollo. "For me, this is definitely the best album I have ever made ... including my sister's!"
'No Roots' is a record that has to be heard. Musically ambitious, lyrically powerful, it is an album that sets new standards for adult, intelligent dance music.
"There's not a note I want to change, nothing I would do differently," says Rollo proudly. "This is what I think Faithless is about. It is melodic, it grooves, it's meaningful and it embodies the gospel of Faithless, the idea that self-worth creates goodness. That is fundamental. If you believe in yourself, if you are without fear, you will also be tolerant, non-aggressive and find love."
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