CD1

1. Jupiter Ace – “1000 Years”

2. Mylo – “Destroy Rock & Roll” (Tom Neville Remix)

3. Deux – “Sunrising” _

4. Haji & Emanuel – ‘‘ Weekend ’’ (ATFC’ Wet Weekend Remix)

5. Freemasons – “Love On My Mind” (King Unique Vocal Mix)

6. C64 – “On A Good Thing”

7. Africanism by Bjorn Lundt –“Imbalaye”

8. Dylan Rhymes featuring Katherine Ellis – “Salty”

9. Scape feat. D’Empress – “Be My Friend” (Michael Grey Remix)

10. Patrick Alavi – “Power”

11. Lee Coombs feat. Katherine Ellis –“Shiver ”

12. Steve Lawler vs King Unique featuring Rowetta – “Souls On Ice”

13. Rachael Starr – ‘Till There Was You’ (John Creamer & Stephane K Club

Mix)

CD2

1. TDR- ‘‘Smoked Out’’

2. Chab feat JD Davis - ‘‘Closer to me’’

3. Absym – “Future Love”

4. Dave McCullen – “Bitch”

5. Sander Kleinenberg – “The Fruit” (Tom Novy Remix)

6. DJ Rooster & Sammy Peralta – “Shake It”

7. Roman Flugel - “Geht’s Noch?”

8. Tiefschwarz – “Issst”

9. Ricky Montanari pres. DJ Dandi & Ugo – “Beat Conductor”

10. Trentemoller – “Physical Fraction”

11. Chus & Ceballos vs Richie Santana – “Low Frequencies” Part 1

12. DJ Oliver & Irtaman presents THE WHITE HORSE – Atlantica

David Piccioni - Azuli Presents Miami 2005

Home » d » David Piccioni » Album» Azuli Presents Miami 2005

Ah… quinquennium, quinquennia: as excuses for a celebration go, this birthday is as good a start as any – so welcome to Azuli Presents Miami 2005...

... , the fifth in our annual series and the definitive Miami compilation.

We can hardly believe it ourselves but since it first blinked its
innocent eyes in the year 2000 (when the inevitable copycat
compilations weren’t even a glint in any other record label a&r’s
roster) we have fearlessly singed our psyche (and signed a lot of
cheques) in order to bring you a double CD jam-packed with what’s hot
in underground dance music according to the gospel of the Miami Winter
Music Conference. Why? Because we have always felt
that it – and you – are worth it!

Since the beginning we’ve
adopted a sleeves-up, hands-on approach and have clubbed, schmoozed and
burnt ourselves to death, braving blistering showcases outdoor in the
Floridian heat and indulging in more clubbing marathons than Paula
Radcliffe could train for in order to bag fledgling international hits,
cult underground goodies and club classics from the world over.
If that sounds a little egocentric, Madison Avenue’s ‘Don’t Call Me
Baby’ (2000), Aztec Mystic’s unforgettable ‘Jaguar’ (2000), Ministers
De La Funk’s euphoric ‘Believe’ (2000) and Joey Negro’s chart- topping
‘Must Be the Music’ (2000) opened the batting. Thus our series
was born.

Not content to sit on our lobster derrieres, 2001’s CD
was home to such seminal club tracks as KOT’s ‘Finally’, Static
Revenger’s ‘Happy Music’, Bel Amour’s ‘Bel Amour’ and Sputnik’s
vibratory ‘Stylus Trouble’. In 2002 we saw off all other
contenders again by opening with Xpress 2 and David Byrne’s chart
dominating ‘Lazy’, Shakedown’s glorious ‘At Night’, Josh One’s
depth-defying‘ Contemplation’ and Chicken Lips’ blazing “He Not In’,
whilst 2003 was another vintage year with Lee-Cabrera’s unfeasibly
large ‘Shake it’, E-Funk’s hugely popular ‘Shout’ and Louie Vega and
Julie McKnight’s gorgeous ‘Diamond Life’. Last year we delivered
another great vintage by featuring the full-bodied, sweat-fests that
were Martin Solveig’s ‘Rocking Music’, Neruda’s haunting ‘West Ghost’,
Morillo, Romero and Nunez’s outrageous ‘Dancin’, Danny Howells’ ‘From
Dusk Till Dawn’ and Dennis Ferrer’s sublime ‘Sandcastles’ (since
licensed by Defected).

For our next storming term in
office we’ve sexed up our cabinet, filling it with major players old
and new: Mylo (DJ Magazine’s Star of 2004) brings the electro-dynamo
that is ‘Destroy Rock and Roll’, Tiefschwarz go out and out Belgian
electro bonkers with ‘Issst’ whilst there are mainstream moments from
C64, Rachael Starr and Scape featuring D’Empress amongst others.
The underground bubbles and boils over like a shameless love volcano
thanks to Dylan Rhymes’ ‘Salty’, Sander Kleinenberg’s twisted ditty ‘
Fruit’ and Linus Loves’ meaty and beaty ‘Night Music’. These –
amongst many others - are the reasons why we truly are the first among
equals.

Now in its 20th year, the Miami Winter Music Conference
is revered as an ‘institution’ by those in the know and has been more
recently recognised by the media worldwide as a hugely important, yet
mental kind of dance institution that tirelessly breaks new dj’s, new
producers, new parties, new sounds and has its finger firmly on the
pulse of tomorrow’s hits. The millions who, in those fleeting 20
years, have passed through the security on both sides of Miami
International Airport because they believed, and still believe in its
relevance can’t be wrong. Nor were we wrong in creating a series
that annually flicks the ‘v’ at the doubters and shouters in order to
represent the vibe of a conference so fast moving that it makes even
the future look old-fashioned. Nor are you wrong for supporting us and
for that, we thank you.

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David Piccioni - Azuli Presents Miami 2005